Themes of Shakespeare’s Measure for Measure Revealed in Angelo’s Solilo

Themes of Shakespeares pulsation for musical rhythm Revealed in Angelos Soliloquies Angelos soliloquies (2.2.161-186 2.4.1-30) express themes of the tragicomic form, favor of God and nature, development of self-knowledge, justice and mercy, and creation and death as aspects of Angelos character.By the theme of the tragicomic form I mean that which qualified extremes and promoted a balanced condition of mind It employed a f practise style, mixed action, and mixed characterspassing from side to side, it works amongst contraries, sweetly tempering their penning. (Guarinis Compendio della Poesia Tragicomica (1601) cited in Lever lxi-lxii). I take Measure for Measures tragicomic form as its major theme, or perhaps meta-theme, because it reinforces the value of the via media, of moderation over zealotry. Angelo swings from one extreme to the other before, by the plays conclusion, prompted by the orchestrations of the duke, he adopts a middle way. In Angelos first two soliloquies we see him transition from believing himself resistive to earthly love (2.3.185-186) to believing he is ruled by his line of reasoning (2.4.15).This transition suggests a theme of development of self-knowledge. In the first monologue Angelo refers to himself as a saint (2.2.179) and speaks of physical love in a condemning tone (2.2.173). In the second soliloquy Angelo has adjusted his self-image (2.4.16) to be consistent with his experience, and he describes his experience of love without spending equal meter condemning it. He realizes he took sinful ostentation in his hardship (2.4.9-10), and now compares that quality with an idle plume in a toughiean aspect of appearance, not being. Development of self-knowledge does not show up clearly in other characters however... ...ing between them, was virtue. This signified a beneficent use of natural operation which merited the gift of grace as a concomitant correspondingly, it implied a going forth of grace which might breed the c onscientious payment of natures debt. Throughout the main action, however, the properties of grace and nature are dissociated and juxtaposed. Strict restraint and immoderate use, the warp attitudes of convent and brothel, of precisian and libertine, are presented as jarring disparates inducing a process of mental disruption. In the absence of virtue as a moderator, sexual function turns into the abuse of lechery At the spiritual level, excessive zeal is corrupted to pride Most alarming of all, there are the sudden slips from level to level, landslides of the someone which transform zealot into lecher and saint into sadist. (lxxii-lxxiii)