Analysis of Keats To Autumn Essay -- Keats To Autumn Essays Poetry

Analysis of Keats To nightfall John Keats poem To declension is essentially an ode to gloaming and the change of seasons. He was apparently inspired by observing nature his detailed description of natural occurrences has a loving appeal to the readers senses. Keats also alludes to a certain un lovelyness connected to free fall, and links it to a time of death. However, Keats association between stages of downslope and the handle of dying does not take away from the ode effect of the poem. The three-stanza poem seems to create three decided stages of descent growth, harvest, and death. The theme going in the first stanza is that Autumn is a season of fulfilling, yet the theme ending the concluding stanza is that Autumn is a season of dying. However, by using the stages of Autumns as a metaphor for the put to work of death, Keats puts the concept of death in a different, more favorable light. In the first stanza, the growth stanza, Keats appeals to our sense of visuali zation. The reader pictures a country setting, much(prenominal) as a cottage with a yard full of yield trees and flowers. In his discussion of the effects of Autumn on nature, Keats brilliantly personifies Autumn. A personification is when an object or a concept is presented in such(prenominal) a way as to give life or gentlee characteristics to the idea or concept. Not only does Keats speak of Autumn as if it had life, (e.g., in lines 2 and 3, where he creates a friendship between Autumn and the sun, in which they conspire to load and bless the trees with ripe, bountiful harvest-tide), but he also gives personality to the life-form Autumn. He first defines Autumn as a season of mist and mellow fruitfulness. The references to both mist and mellow... ...ch as funerals, or recessionals. It is appropriate that this change of imagery into musical imagery in the net stanza beca commit it is not only the end of the poem, but it is the description of the end of Autumn as well (Whil e barred clouds bloom the soft-dying day). The handling of the word soft in soft-dying day helps to take away the no-count Reaper sense of death and define it as a natural, necessary occurrence that ends a cycle. The final line and gathering swallows twitter in the skies gives the reader a definite sense of ending (the swallows are preparing to e emigrate for the winter season). At this point, the poem seems to comes to a rest, and this final line creates an sound sense of closure. BibliographyTo Autumn. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York W.W. norton, Inc., 2000. Analysis of Keats To Autumn strive -- Keats To Autumn Essays PoetryAnalysis of Keats To Autumn John Keats poem To Autumn is essentially an ode to Autumn and the change of seasons. He was apparently inspired by observing nature his detailed description of natural occurrences has a pleasant appeal to the readers senses. Keats also alludes to a certain unpleasantness connected to Autumn, and links it to a time of death. However, Keats association between stages of Autumn and the process of dying does not take away from the ode effect of the poem. The three-stanza poem seems to create three clear stages of Autumn growth, harvest, and death. The theme going in the first stanza is that Autumn is a season of fulfilling, yet the theme ending the final stanza is that Autumn is a season of dying. However, by using the stages of Autumns as a metaphor for the process of death, Keats puts the concept of death in a different, more favorable light. In the first stanza, the growth stanza, Keats appeals to our sense of visualization. The reader pictures a country setting, such as a cottage with a yard full of fruit trees and flowers. In his discussion of the effects of Autumn on nature, Keats brilliantly personifies Autumn. A personification is when an object or a concept is presented in such a way as to give life or human characteristics to the idea o r concept. Not only does Keats speak of Autumn as if it had life, (e.g., in lines 2 and 3, where he creates a friendship between Autumn and the sun, in which they conspire to load and bless the trees with ripe, bountiful fruit), but he also gives personality to the life-form Autumn. He first defines Autumn as a season of mist and mellow fruitfulness. The references to both mist and mellow... ...ch as funerals, or recessionals. It is appropriate that this change of imagery into musical imagery in the final stanza because it is not only the end of the poem, but it is the description of the end of Autumn as well (While barred clouds bloom the soft-dying day). The use of the word soft in soft-dying day helps to take away the ominous Reaper sense of death and define it as a natural, undeniable occurrence that ends a cycle. The final line and gathering swallows twitter in the skies gives the reader a definite sense of ending (the swallows are preparing to migrate for the winter seaso n). At this point, the poem seems to comes to a rest, and this final line creates an good sense of closure. BibliographyTo Autumn. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York W.W. norton, Inc., 2000.